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Head First Acrobats: Return of The GODZ Review – Peacock Theatre
THE HORNIEST, FUNNIEST, MOST UNHINGED NIGHT OUT IS BACK Bless me, Dionysus, for I have sinned. I went back to see the latest performance of GODZ again. A second coming,…
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YAMATO: The Drummers of Japan Review – Peacock Theatre
A THUMPING SPECTACLE OF SOUND AND STRENGTH Returning to London’s Peacock Theatre for the first time since their 2019 triumph, the world-renowned Taiko drummers of Yamato have arrived with a…
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The Center Will Not Hold Review – Sadler’s Wells
A CONFRONTING AND COMMUNAL TRIUMPH THAT STRETCHED ACROSS DANCE GENRES Michelle Dorrance and Ephrat Asherie’s The Center Will Not Hold is far more than a conventional tap production; it is…
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Paco Peña Flamenco Dance Company: Solera Review – Sadler’s Wells
WORK ROOTED IN TRADITION YET ALIVE WITH INTEGRATED EXCHANGE Solera, created by Flamenco virtuoso Paco Peña and directed by Jude Kelly, is a work rooted in tradition yet alive with…
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The Rite of Spring/Mirror Review – Sadler’s Wells East
THE ALEXANDER WHITLEY DANCE COMPANY BROUGH MOTION CAPTURE, PROJECTIONS, AND EVEN AI TO THE SADLER'S WELLS EAST STAGE The troupe performed two pieces. The first, Mirror, a duet which explored…
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Turn It Out With Tiler Peck & Friends Review – Sadler’s Wells
IT TAKES SUPERNOVAS LIKE PECK TO MAKE PEOPLE INTERESTED AND ENGAGED IN DANCE IN A BRAND NEW WAY It’s incredible that amid her perfect technique, extraordinary athleticism, and endless grace,…
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Scottish Ballet: Mary, Queen Of Scots Review – Sadler’s Wells
A TUDOR THRILLER IN TIGHTS Tudors* and Tutus? I’m in… The moment I learned about Scottish Ballet’s Mary, Queen of Scots, I was aflutter with anticipation. And from the moment…
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The Snowman Review – Peacock Theatre
A MAGICAL START TO THE CHRISTMAS SEASON The Snowman makes its return to stage for its 28th year, bringing with it all of the joy and childlike wonder that makes…
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