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John Proctor Is The Villain Review – Royal Court Theatre
THE WEST END’S MOST TIMELY REVIVAL: JOHN PROCTOR IS THE VILLAIN John Proctor is the Villain is a period piece, and not in the way you might expect. The period…
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Broken Glass Review – Young Vic
HOW FAR AWAY MUST SUFFERING BE BEFORE WE ALLOW OURSELVES TO IGNORE IT? At first glance, Broken Glass feels like an unusual choice for revival. Arthur Miller’s 1994 play is…
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The Tempest Review – Shakespeare’s Globe Theatre
PLAYING WITH THE PLAY: A METATHEATRICAL TEMPEST Shakespeare’s final solo play is typically treated with reverence. Prospero is deemed a vessel for Shakespeare himself, with his control of the stage…
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The Taming Of The Shrew Review – Shakespeare In The Squares
THE TAMING OF THE SHREW - A VERSION TAMED BY COMEDY A controversial play for the modern-day, The Taming of the Shrew famously undertakes a heavily gendered examination of obedience…
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Playing Shakespeare with Deutsche Bank: Macbeth Review – Shakespeare’s Globe
LANGUAGE, BLOOD, AND BODIES. THE MACBETH FOR THE MODERN GROUNDLING By Lara Kennedy | LinkedIn ⭐⭐⭐⭐ | Press Invite Shakespeare’s Globe’s latest production of Macbeth by Deutsche Bank aims to…
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